Grand Pianos and Pianos

”That the grand piano can sing –
is the most beautiful thing you can say about a piano”

 
Wilhelm Furtwängler
Conductor - pianist - composer
(1886 – 1954)
 

Société Wilhelm Furtwängler:  www.furtwangler.net

 
Beethovens 4. Piano Concerto.mp3
    Conrad Hansen, piano and
    Berlin Philharmonics 31.10.1943
 
Beethovens Leonore Overture No.3, Op.72a.mp3
    From a rehearsal with:
    Stockholm Philharmonic Orchestra 13.11.1948
Beethoven's Violin Concerto in D-Major, Op. 41, Larghetto
    Yehudi Menuhin, violin
    Lucerne Festival Orchestra 23. & 24.8.1947


For those who want to immerse themselves in Furtwängler's life and work, I can recommend the book "Musik im Schatten der Politik" written by his Jewish secretary Berta Geissmar. Atlantis Verlag, Zürich 1990, ISBN 3 254 00120 6


 


 ♪ Background music:
    
Mendelssohn, "Lieder ohne Worte" - Venetian Gondola Song played on a
    Joseph Brodmann fortepiano, Wien 1823 by pianist Olga Tverskaya, a copy
    built by David Winston
 

From a Home with Pianos - a Passion
 

Grand piano, Hagspiel & Comp. Hof-Lieferanten, Dresden, 1900

As a flutist and a chamber musician I am a connaisseur of antique grand pianos and pianos because they have such a beautiful look and especially singing sound, which can each benefit the music in its own way. I have two interesting instruments - a grand piano by Hagspiel & Comp. Hof-Lieferanten Dresden, serial No. 3480, made between 1890-1900, given a complete overhaul in 1995. The instrumentet has mechanism by the once leading company Detleff, which e.g. also supplied mechanisms for Blüthner, Bechstein and others. In addition I have a Danish piano with a light and sparkling sound, which is especially excellent for music by Kuhlau, Beethoven, and Hummel – a Hornung & Møller, Copenhagen, square piano, serial No. 6583 from about 1871, given a complete overhaul in 1992. Both instruments I have used for concerts at various manor houses in Denmark, e.g. Selsø Castle and Reventlow Manor House.  Listen to different square pianos. Furthermore I have a piano Ritmüller Gegr. 1795 and a modern pianoforte Steen-Nielsen, Copenhagen from 1974, which is very suitable for Mozart and Haydn, together with a large Danish made Weldingh spinet (L 185 cm) as a copy after Johann Heinrich Silbermann. The sound is like the upper manual of a harpsichord 8′+lute 8', and with a very strong bass and singing treble.
 



Square piano, Hornung & Møller  about 1871
 

Hornung & Møller Grand Piano from about 1860 at the Manor House Museum Selsø Castle

On the Owners of the Grand Piano

In the registers of the Museum of Musical Instruments in Copenhagen from the firm Hornung & Møller it says that on 24 April 1860 the grand piano was bought by music teacher Ravnkilde, Copenhagen for 400 rix-dollars.

Furthermore it appears that later it comes to Th. Schou at the manor house Gl. Antvorskov in 1891. When the unmarried son Vilhelm takes over Gl. Antvorskov, one can assume that the grand piano as well as the other furniture is also passed to him. After Vilhelm Schou's death in 1922 the grand piano is sold at an auction held at the manor house Gl. Antvorskov, and it is bought by the book-keeper at the distilleries at Slagelse, Peter A. Vogler and his wife Christa P. Vogler. In 2000 their son, dentist Erik Vogler donated the instrument to the Manor House Museum Selsø Castle, where it is used for concerts.


On the Manufacture of the Grand Piano

The instrument maker Hornung was born at Selskør at the end of the 1780s, and he was apprenticed as a hatter. This work did not interest him very much, and as a skilled man he decided to learn instrument making, especially the manufacture of grand pianos and pianos in which he was very interested. He went to Germany and learned the trade from scratch from some of the best instrument makers. At the beginning of the 1800s when Hornung came back to his native town, he established himself as an instrument maker with his own workshop. Soon his instruments, which were of a high quality, were in great demand, and for business reasons he later moved to Slagelse to a bigger workshop and a few years later to Copenhagen with several employees. In the 1850s Hornung's workshop was passed to the instrument maker Møller who continued the firm under the name of Hornung & Møller, which in its days of glory had more than 100 employees.

Both in Hornung's and in Hornung & Møller's days the firm received many gold medals at international exhibitions of instruments in London in 1851 and 1862 as well as in Paris in 1855 and 1889 at the time when the pianists Chopin and Liszt were much admired by the aristocracy. The company Hornung & Møller at Dehn's Palace, Bredgade, closed down in 1972.

In the beautifully made book ”The Danish Pianoforte until 1914 – a Craft and an Industry”, a doctor's thesis by Dorthe Falcon Møller, the history of the Danish piano is described brilliantly and very thoroughly. In the book there are also two very descriptive accounts of journeys from the period 1889 - 90 on the manufacture of pianos in Europe - a description of the piano-maker Søren Jensen's visit to Dresden at Hagspiel & Comp. Hof-Lieferanten and an account by Vilhelm Petersen, who both call on the leading German factories in Berlin, Lepzig, and Dresden – besides the world exhibition in Paris in 1889.


Schubert Impromptus Ges Dur, Dwv. 899 No.3  6:30
 live recording - Ulla Kappel, grand piano, Hornung & Møller 1860
 
Schubert Impromptu A flat major, Dw. 899 No.4  2:12
Peter Katin, Clementi
square piano c. 1830
 


 

Passion for restoration of Early Keybords: www.periodpiano.com

Early Viennese Fortepianos Stein and Walter: www.fortepiano.eu

Restoration of Early Keybords: www.musicroomworkshop.co.uk 

Restoration of Antique Grand Pianos: www.antiquepianoshop.com

Restoration of Modern Grand Pianos: www.lindebladpiano.com 



 



 



 


Hagspiel Zoom
 


Hornung & Møller Zoom
 


Ritmüller Zoom


The Piano Tuner
Starring Victor Borge

 

 


Hornung & Møller Zoom

 



Hornung & Møller in Dehns Palace